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Salvador Dali

Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquis de Púbol

Salvador Dali

Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquis de Púbol

An author, artist and provocateur, Salvador Dalí was one of the most notable figures of the Surrealist movement. Born in 1904 in Figueras, Catalonia, Dalí studied art in Madrid and Barcelona, where he demonstrated masterful painting skills and experimented with several artistic styles. In the late 1920s, two chief influences emerged that shaped his mature artistic style. The first was the work of psychoanalyst Sigmund Freud that explored the erotic significance of dreams and subconscious imagery. The second was his introduction to the Paris Surrealists, a group of artists and writers who sought to unlock the creative potential of the human unconscious.

In 1929, Dalí burst onto the art scene with the debut of Un Chien Andalou (An Andalusian Dog) (1929), a short silent surrealist film he made with Spanish director Luis Buñuel. The film propelled the authors to the center of the French surrealist circle led by André Breton. Between 1929 and 1973, Dalí produced some of the most famous surrealist paintings, including his masterpiece, The Persistence of Memory (1931). The painting depicts a dreamworld in which common objects are deformed and displayed bizarrely and irrationally: watches, solid and hard objects appear to be inexplicably limp and melting in the desolate landscape. In the painting, he effortlessly integrates the real and the imaginary in order “to systemize confusion and thus to help discredit completely the world of reality”.

Dalí’s most important contribution to Surrealism was the paranoiac-critical method, a surrealist technique he developed in the 1930s. The technique required the artist to enter a unique state of mind which he described as a “spontaneous method of irrational knowledge, based on the critical-interpretative association of the phenomena of delirium”. He also published essays in which he discussed and defined the surrealist object, such as Lobster Telephone[/i[/url]] (1936) and Mae West Lips Sofa (1937) were usually constructed from found items or readymade materials.

In the late 1930s, Dalí began painting in a more academic style influenced by the Renaissance masters. His admiration for Raphael is particularly evident in paintings such as Poetry of America (1943), Raphaelesque Head Exploding (1951), and Maximum Speed of Raphael’s Madonna (1954). Throughout the 1930s, Dalí’s ambiguous political stance on fascism alienated him from his Surrealist colleagues, which eventually expelled Dalí from the movement.

In 1940, during World War II, Dalí and his wife Gala moved to the United States. Henceforth, Dalí worked in a variety of media, designing theatre sets, furniture, jewelry, and even display windows for fashionable shops. In 1942, he published his most intriguing book, the autobiography The Secret Life of Salvador Dali.

Dalí and Gala returned to Spain in 1948. The artist continued to be prolific in the late stages of his career, he worked on a variety of projects, while continuing to produce paintings, sculptures, and objects. He was also particularly fond of publicity stunts and was able to intrigue the public for decades with his outrageous behavior. Dalí died of heart failure on January 23, 1989, in Figueres, Spain.

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Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquis of Dalí de Púbol (11 May 1904 – 23 January 1989), known professionally as Salvador Dalí (/ˈdɑːli, dɑːˈli/ Catalan: [səɫβəˈðo ðəˈɫi]; Spanish: [salβaˈðoɾ ðaˈli]), was a prominent Spanish surrealist born in Figueres, Catalonia, Spain.

Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media.

Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes" to an "Arab lineage", claiming that his ancestors were descended from the Moors.

Dalí was highly imaginative, and also enjoyed indulging in unusual and grandiose behavior. His eccentric manner and attention-grabbing public actions sometimes drew more attention than his artwork, to the dismay of those who held his work in high esteem, and to the irritation of his critics.

Salvador Domingo Felipe Jacinto Dalí i Domènech was born on 11 May 1904, at 8:45 am GMT, on the first floor of Carrer Monturiol, 20 (presently 6), in the town of Figueres, in the Empordà region, close to the French border in Catalonia, Spain. In the summer of 1912, the family moved to the top floor of Carrer Monturiol 24 (presently 10). Dalí's older brother, who had also been named Salvador (born 12 October 1901), had died of gastroenteritis nine months earlier, on 1 August 1903. His father, Salvador Dalí i Cusí, was a middle-class lawyer and notary whose strict disciplinary approach was tempered by his wife, Felipa Domenech Ferrés, who encouraged her son's artistic endeavors.

When he was five, Dalí was taken to his brother's grave and told by his parents that he was his brother's reincarnation, a concept which he came to believe. Of his brother, Dalí said, "[we] resembled each other like two drops of water, but we had different reflections." He "was probably a first version of myself but conceived too much in the absolute." Images of his long-dead brother would reappear embedded in his later works, including Portrait of My Dead Brother (1963).

Dalí also had a sister, Anna Maria, who was three years younger. In 1949, she published a book about her brother, Dalí as Seen by His Sister. His childhood friends included future FC Barcelona footballers Sagibarba and Josep Samitier. During holidays at the Catalan resort of Cadaqués, the trio played football (soccer) together.

Dalí attended drawing school. In 1916, he also discovered modern painting on a summer vacation trip to Cadaqués with the family of Ramon Pichot, a local artist who made regular trips to Paris. The next year, Dalí's father organized an exhibition of his charcoal drawings in their family home. He had his first public exhibition at the Municipal Theatre in Figueres in 1919, a site he would return to decades later.

In February 1921, Dalí's mother died of breast cancer. Dalí was 16 years old; he later said his mother's death "was the greatest blow I had experienced in my life. I worshipped her... I could not resign myself to the loss of a being on whom I counted to make invisible the unavoidable blemishes of my soul." After her death, Dalí's father married his deceased wife's sister. Dalí did not resent this marriage, because he had a great love and respect for his aunt.

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